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Ahh, I feel better, don’t you?  Now you can go about your business.

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May-double

may SPLASH

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Case in point:

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It is a truth universally acknowledged in cinema that mannequins are creepy.  Especially red-lit ones.

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Blood and Black Lace:  A+ for color scheme.  Scary- not so much, but ominous, yes!  And the credits are so wonderful I will forgive the rest of its imperfections.

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shining

This is easily one of my favorite scenes ever.

And I would wager one of the best ever.  In the history of everything.

Your cinematic moment of Zen for the day:  11

ALSO:  The indie movie I’m a PA on is getting some good press!

Buzzbuzzbuzz.

io9

Film School Rejects

OTHER THINGS!  Look at the My Milk Toof blog.  Cute Overload posted a link to it the other day, and it is so adorable, I almost can’t take it.  For example:  Gventure15

Apparently the artist who created this blog lives in Berkeley.  Um, does that mean we can be bff?  :D

I love Jane Campion.  I am currently watching her debut film, Sweetie, which so far is odd and has beautiful beautiful cinematography.  Mostly I am in love with her montages and how strange her characters are.   I especially love the one animated part in the Piano, which goes by so quickly and is so interesting because it never recurs anywhere else in the movie.  It ’s just this little detail that’s hidden in there when Anna Paquin tells the story of her father’s death.  It also seems like she really likes deep focus, at least in Sweetie.

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